Víctor Barceló (1991) is a versatile percussionist and improviser whose work ranges from classical percussion to experimental avant-garde music. He works across a wide spectrum, from purely acoustic material to theatre productions, electronic projects, and multimedia collaborations. His music and artistic approach are shaped by diverse influences, including free jazz, the Wandelweiser collective, and club culture electronic music. In recent years he has presented his work in festivals and venues such as

Tokyo Arts and Space (Japan)
Spectrum New York (USA)
La Biennale di Venezia, Spanish Royal Academy Rome, Percussione Temporanea (Italy)
Staatsoper Berlin, Wittener Tage für Neue Musik,  Heidelberger Frühling, Blurred Edges, Darmstädter Ferienkurs für Neue Musik (Germany)
Alexandrinsky Theatre St. Petersburg (Russia)
TACEC, Forum Nueva Musica, Teatro Margarita Xirgu, Centro Cultural de España en Córdoba, Condit, Universidad Nacional UNTREF (Argentina)
Centro Cultural España in Montevideo (Uruguay)
Musikverein Wien, Kunstuniversität Graz, Impuls Festival (Austria)
Laboratorio Nacional de Electroacústica La Habana (Cuba)
Centro Cultural de España (Chile)
Huddersfield Contemporary Music Festival, Royal College of Music London (England)
Lucerne Festival, 2 Tage Strom Zürich, Musikfestival Bern, Gare Du Nord, NUMU, Zeiträume, KlangBasel (Switzerland)
INSTALAKCJE (Poland) 
AFEKT Festival Tallinn (Estonia)
CentroCentro, Auditorio Nacional, Sala Berlanga SGAE, Mixtur Festival, Festival Bernaola, Festival Bergerault, Museo Vostell (Spain)

He has worked with composers such as Michael Maierhof, Simon Steen Andersen, Stefan Prins, Marko Ciciliani, Jürg Frey, Hannes Seidl, Alberto Bernal, Georges Apperghis, Mathias Spahlinger, Philippe Manoury and many composers from his generation.

Between 2014-2016 he was percussion teacher at the Conservatorio Superior de Música de Canarias and currently teaches at the Konservatorium Winterthur.

Contact me.